‘Whydunit?’ A Q&A with Wayne Howell

 1.    Why did you want to write about ‘whydunits’, as you call them in Killer Excuses and Reasonable Doubt, instead of ‘whodunits’?

As a court reporter for the Herald Sun I enjoyed covering both ‘whodunit’ and ‘whydunit’ criminal trials – as well as some very weird civil trials, but that’s a different story.

‘Whodunits’ are your classic ‘you’ve got the wrong man/woman – it wasn’t me’ trials. As any courtroom drama fan knows these can be fascinating – remember OJ Simpson. I was also gripped by the whodunit trial of the police killers Bandali Debs and Jason Roberts which I wrote about in my first book for The Five Mile Press – Eavesdropping on Evil.

Whodunit trials, though, are often not very interested in asking why someone killed someone. Prosecutors do not have to prove motive – as Lindy Chamberlain found out to her cost. They do not have to prove why you have killed someone, just that you have.

As fascinating as they can be, whodunits can leave questions like ‘why?’ frustratingly unanswered; not so ‘whydunits’.

In a ‘whydunit’ homicide trial, the accused person does not blame anyone else for the victim’s death. ‘Oh, I was there when the person died,’ they admit. Some even admit to firing the fatal shot, or inflicting the fatal stab wound, or to dropping the rock off the freeway overpass that killed the unsuspecting motorist, or to fatally strangling someone. They don’t, however, admit to committing the crime they are charged with. They say they have an excuse for doing what they did. Some say they should be excused completely – that they are not guilty. These people say they killed accidentally or in self-defence. Some admit they are guilty – but to a lesser crime than they are accused of. They say they are only guilty of, for instance, manslaughter instead of murder.

As fascinating as whodunits can be, whydunits often delve more deeply into why some seemingly ordinary people find themselves in the extraordinary situation of having killed someone. As someone who sees himself as an ordinary person, whydunits often challenged me. They made me ask myself: ‘Would I have done the same thing?’ Often they also made me ask: ‘When is it all right to kill someone? When should society excuse someone for killing someone?’ These were the questions which spurred me into writing about whydunits in Killer Excuses and Reasonable Doubt.

2.      Which do you think are the most bizarre true crime cases in Killer Excuses? What were some of the wacky details you most remember?

Where to start? How to judge levels of bizarreness? How about the woman who drowned during a sexual frolic in the waters off Darwin’s Pee Wee beach? What about the man who denied murdering a woman but admitted ‘tapping’ her head with a meat tenderiser, carrying her corpse in his car boot for five days and was caught lying by her freshly dug grave wearing a blonde wig? Then there was the man who blamed a sambuco-laced espresso for causing him to try to murder his father and stepmother in a bizarre, bloody, blackly comic stabbing/wrestle.

Probably the most bizarre trial I have covered involved a pig farmer’s wife dying while her husband and his mates tried to exorcise demons from her. The fatal week-long ‘exorcism’ included a man trying to build a ‘hedge’ against the devil by running around – and over – a farmhouse waving a piece of clingwrap; a ‘Holy Communion’ of blackcurrant cordial and brown toast; flowerbeds being dug up; and the smashing of a greenhouse and black ceramic cats.

3.     Which cases were the most horrific for you?

One of the most horrific trials for me to cover was that of two teenagers accused of the nightmarishly cruel killing of 73-year-old Marie Greening Zidan. The great-grandmother was bashed, strangled and sexually assaulted after she caught two teenage burglars in her home. The boys agreed they were there but each blamed the other for the fatal bashing.

Another trial that truly horrified me was that of a fresh-faced 15-year-old boy who admitted to watching two mates fatally bash a kindly 79-year-old lady in her home with fence palings. The teen said one of his mates even stomped on the dying victim’s neck and then rolled on the floor laughing. He said that when he looked in the victim’s bag for her car keys he ‘felt quite sick’ when she coughed blood on his shoe. What the teen admitted was gruesome enough but police had an even more disturbing theory: that the boy had done it all by himself and had then falsely dobbed in two mates into his terrible lone crime.

4.     Which cases were the saddest for you?

Two of the saddest trials I have covered are the last two chapters of Killer Excuses: ‘Motherhood Shattered’ and ‘Going Gently’.

‘Motherhood shattered’ is the story of a woman who had long dreamed of having a baby, who defied the medical odds to have a baby, but who in the depths of the baby blues snapped and drowned that baby five weeks after her miracle birth.

‘Going Gently’ is the story of a trial that still makes me teary when I recall it. It’s about a feisty woman who tried to take the fight up to her cancer but who eventually had to resort to relying on her husband to kill the person he most loved.                                                                                                                                                                           

5. Which cases surprised you the most?

 Many times whydunit trials came up with the unexpected and surprising.

Sometimes I was surprised at the chutzpah of the defendant’s excuse. How about Domenico Arico’s: ‘I’m not guilty of murdering my wife because I’m a male chauvinist pig’ excuse? He tried to persuade a modern jury that he should only be found not guilty of the manslaughter of his wife because she had provoked him into losing control and stabbing her by refusing to be a traditional wife – by going to university and by ignoring her wifely duties.

Often I was amazed at what some seemingly normal people do that ends in tragedy – millionaire James Ramage, for instance, fatally bashed his wife after she said sex with him repulsed her. He then drove to where she loved horse-riding and buried her. On the way back he stopped in to discuss kitchen renovations at a business! And how about decision by two teenage boys to throw rocks from a freeway overpass on to cars. They kept playing their incredibly stupid game until a huge rock went through a windscreen, killing a motorist. 

6.    What was involved in finding and writing about these stories?

I covered most of the trials while the Herald Sun’s Supreme Court reporter. I also spent many days reading hundreds of pages of court transcripts.

7.     What did you enjoy most about writing this book and your others – Reasonable Doubt and Eavesdropping on Evil?

I liked being able to tell the full details of these intriguing stories and not be restricted to just a few paragraphs in a newspaper. I believe these stories not only give an insight into how our court system works but also reveal some of the strange ways human beings can behave. 

8.    What about a Killer Excuses TV series?

I have adapted several stories from Killer Excuses and Reasonable Doubt into TV-script format. I have had some interest from television program producers and stations but have had no takers yet. 

 9.     What advice would you like to give anyone who wants to write true crime?

Don’t glorify criminals – remember their victims. True crime writing can be interesting without glamorising mostly stupid, cruel criminals. Crimes are interesting because they put people – victims and perpetrators – in often bizarrely stressful situations, not because the perpetrators are necessarily fascinating. Genuinely intriguing ‘master’ criminals are rare indeed – if they exist at all.

 

Wayne Howell

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Don’t Dilly Dally! – a Q&A with author Paul Taylor

 

1.       Why did you decide to write true crime?

 The moment I heard, for the first time, of the mutiny and massacre that followed the wreck of the Batavia off the west coast ofAustralia in 1629. More than 100 men, women and children slaughtered but it was a story that few Australians at that time – 20 years ago – seemed to have had heard about.

 2.       What case has been the most horrific for you to write about?

 The serial murderer Ivan Milat, the Snowtown sadistic killings and others of that ilk are sickening. But the disappearance of the threeBeaumontchildren from anAdelaidebeach – and conjecture of their end – is too awful to bear thinking about.

 3.       What is involved in researching true crime?

 Unless you have access to police or criminals or their associates the most reliable records are held in newspaper archives: there you find Coroners’ rulings, trials, and reports by respected journalists such as John Sylvester and Andrew Rule, master of the True Crime craft.

4.       Do any of the gory details keep you awake at night?

 No. I am at one with Henry V’s ‘wretched slave, who with body filled and a vacant mind gets him to rest.’

 5.       What are people’s reactions when you tell them what you write about?

 Almost everyone tells me that they will rush out and buy my books. Alas, most delude themselves.

 6.       What do you enjoy most about writing true crime?

 The fun of writing it.

 7.       Do you have a favourite true crime author or book? Why is it your favourite?

 I enjoy Sylvester and Rule (see Question 3) because they are close to many of the participants and they have a deliciously droll sense of humor.

8.       What are you reading now?

Mark Steyn’s America Alone.

 9.       What advice would you give anyone wanting to write true crime?

 Don’t dilly dally.

 10. Are you working on any book projects at the moment?

I’m tempted to offer the old line, ‘I could tell you, but then I’d have to kill you.’ Make an interesting True Crime book, though, wouldn’t it? Truth is I’m mulling things over while I garden.

 

 

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The Mr Asia Connection 30 Years On

By publisher and editor Linda Funnell, who worked on the original production of Greed and is now literary advisor to the Estate of Richard Hall.

Reading this book again 30 years after it was published, I’m surprised how fresh and immediate the story still feels.

 Certainly much of it was written in the white heat of the revelations at the trial of Terry Clark and his associates in Lancashire, England, so it had the urgency of being a story ‘hot off the press’.  And it was a huge story.  The Mr Asia syndicate led to a Royal Commission of inquiry and drove changes in the way police and customs operated.  My memory is that its first edition – published as Greed: The Mr Asia Connection – sold over 30,000 copies.

 One of the interesting things about reading the book now is how Dick felt the need to explain that there was no ‘Mr Big’ in the Australian drug trade.  The idea of a single, all-powerful Mr Big who ran everything was a pervasive one at the time, and was a concept Dick was to continue to debunk in a later book, Disorganised Crime, published in 1986.  I don’t know that anyone but the most extreme conspiracy theorists would believe that now – we know the world is a more complex and unruly place.

 The Mr Asia Connection was the first true crime book I ever worked on in my publishing career.  On occasion Dick would come into the office and hand me the telephone to take down details of an inquest from a police source.  At the time I was living in North Sydney and the fact that key events in the book had occurred in the neighbouring suburb of Neutral Bay only a year or so beforehand made it feel it very much that it was a story that had happened in my own backyard:  had I been in the Oaks Hotel at the same time as Terry Clark and Allison Dine and not realised it? 

 Dick was wide-ranging in his research for the book, dealing with police contacts one day, then off to see a junkie the next.

 He was also quite phlegmatic about the potential dangers of researching stories that involved criminals and corrupt officials.  He believed that if a writer was threatened, the thing to do was to go public on the threat as quickly as possible.  Once out in the open, the person making the threat was less likely to go ahead.

When the book was published, my memory is that an extract appeared in Penthouse magazine and Terry Clark wrote a letter from his prison to cell to the editor of Penthouse  – which was published – expressing his displeasure. 

But even though Terry Clark had a history of commissioning murders, I don’t think his response ever really worried Dick.  

 

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Newsflash: Jeffrey Gilham released from prison

In 2009 we published Blood Brother by Robin Bowles, about Jeffrey Gilham, the man whose parents and brother were killed in 1993 by brutal stabbings, followed by a house fire. Jeffrey Gilham initially pleaded guilty to manslaughter of his brother, for which he received a good behaviour bond in 1995. After a campaign by his Uncle Tony, he was eventually tried twice for the murder of his parents. The first case was thrown out in 2008 after the jury failed to reach a verdict. However, a second trial found him guilty of murdering his mother and father, and in March 2009 he received a double life sentence. Our book was published after the conclusion of the trial in June 2009. Now, three years later, Jeffrey Gilham has been released from prison after forensic evidence has been found to be faulty. The judges will now decide where he will be acquitted or if there will be a retrial, but the evidence is said to be so dramatic that an acquittal is a distinct possibility.

The case has attracted a lot of media interest. It was featured on 60 Minutes in 1997 and in 2011 a telemovie aired on Channel 9 about the case, title Blood Brothers, and starring Lisa McCune. Australian Story on the ABC also featured the case in a two-part program, in which the team fighting to get Gilham released, led by his wife, Robecca, featured heavily.

We are wondering how Jeffrey’s Uncle Tony feels now?

Click here to buy a copy of Robin Bowles’ Blood Brother: Justice at Last.

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Paul B. Kidd talks about decapitations, disembowelments and being a hit with ladies at dinner parties

Paul B. Kidd is Australia’s leading authority on ‘never to be released’ crimes. He is a talkback broadcaster on Sydney Radio 2UE, a 60 Minutes researching producer and an outdoor men’s magazine editor. His fascination with seemingly normal and sane people who brutally kill and maim their victims has led him to write 13 books on the worst child killers, serial killers and those who rape and murder in packs. Paul is an expert on the darker side of human frailty.

Q: Why did you decide to write true crime?

A: Many years ago when I was a journalist at the Daily Telegraph I teamed up with the famous police roundsman Joseph Morris who had covered the worst cases in Sydney’s history. In 1993 I wrote a book titled Never To Be Released which covered the prisoners who had committed crimes so bad that they were put in jail with no possibility of parole. They are all either dead or still in jail.

Q: What case has been the most horrific for you to write about?

A: The Frankston Serial Murders. Serial killer Paul Charles Denyer murdered three women under the most awful circumstances imaginable.  Women who one minute were going about their normal lives and the next second were pounced upon by this beast and killed for kicks, no other reason. Denyer will never be released no matter what. I wrote about these murders in The Australian Crime File Omnibus that will be on bookshelves in January.

Q: What is involved in researching true crime?

A:  Lots and lots of hard work and persistence. But it’s the smallest things that count the most. The morsels of information that make the story tick. Anyone can chronicle a true story, they just follow the research. But the phone call to a witness or relative can reveal the most unlikely information that will make your yarn different and better.

Q: Do any of the gory details keep you awake at night?

A: Not any more. I used to have nightmares about the disembowelments, decapitations, torture and necrophilia but now it’s just all part of the job. My other job as a broadcaster entertaining people and making them laugh makes me an unusual paradox but it takes my mind off the rotten things humans do to each other.

Q: How do people react when you tell them what you write about?

A: They are fascinated and I’m always a hit at dinner parties, especially with the ladies. They are the ones who love true crime, especially murder, more than anyone.

Q: What do you enjoy most about writing true crime?

A: The money from my book sales. I will never win a Miles Franklin Award but I don’t want to. I don’t think what I do is clever. Just entertaining. It’s part of what I do for a living.

Q: Do you have a favourite true crime author or book? Why is it your favourite?

A: I have lots and lots. Any Michael Connolly, Val McDermid, Lynda La Plante or David Baldacci and the first ten or so Patricia Cornwall’s. They are my favourites because they are spectacularly clever and they write for the reader not their own egos

Q: What are you reading now?

A: Sins of the Father; The untold story behind Schapelle Corby’s ill-fated drug run
by Eamonn Duff.

Q: Are you working on any book projects at the moment?

A: I just finished Crime File 3 about the weekly segment titled Crime File I do on our radio program. The first two were huge sellers. Hope this one is too!

Now I’m going to write a novel. God knows I’ve got enough material in my head. All I need is some plausible characters, decent plots and off I go.

See you on the bookshelves!

Buy Paul B. Kidd’s books here.

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Q&A with IJ Fenn

Q&A with the author of The Beat IJ Fenn.

The Five Mile Press published The Beat in 2007. It tells the story of a terrible time in Sydney’s recent history when gay men were being bashed and murdered in Bondi by gangs of young people. As IJ Fenn writes below, he didn’t really want to write the book, he just felt he had to. IJ Fenn is a writer who lives in Sydney with his wife and daughter.

1.       Why did you decide to write true crime?

It wasn’t that I made a conscious decision to write The Beat but rather that I was offered the opportunity.

The inquest was under way and the police wanted to gain as much exposure of the case as they could in the hope that the perpetrators of the various gay-hate crimes would become visible and implicate themselves in some way. You have to remember that the inquest was in 2003 and the crimes were committed between 1989 and 1991: evidence had been ‘lost’, key players had disappeared and so on. Steve Page (the investigating officer in 2003) asked someone if they knew anyone who might be interested in writing an account of the case. I was that someone. So, my decision to write The Beat was by default, really.

2.       What case has been the most horrific for you to write about?

The Beat is the only true crime I’ve written.

 However, I can’t imagine any other story being more horrific than this. The idea that gangs of kids, some as young as 14, would deliberately go out at night to ‘bash’ a vulnerable group of individuals is truly abhorrent. Add to that, the means by which these gangs attacked their victims and you have behaviour which transcends all understanding by a civilised society. Horrific? Kicking somebody off a cliff to his death? That’s pretty horrific. Beating someone to death with an iron bar because he’s gay? That’s also pretty horrific.

 In fact, the horror in writing The Beat allowed me to write for only three hours a day. Then I had to walk for an hour to cleanse myself of the filth of the details of the story.

3.       What is involved in researching true crime?

For me, talking to the police, reading old press reports, talking to reporters. The nature of the story as I told it allowed me to write without having to interview the families of victims: I wanted to explore the disgusting aspects of sub-human behaviour rather than examine the sentimental ‘impact’ aspects. Often one finds that true crime stories concentrate on the emotional elements of the result of the crime to create empathy. But for me, this smacks of the voyeurism of the reader (which is the main reason I argued against the inclusion of photographs: there’s something too titillating about crime scene pictures that didn’t sit right in this particular story … not the way I saw it, anyway. I’m sure that this decision cost me sales but Five Mile were pretty good about their potential loss of revenue …)

4.       Do any of the gory details keep you awake at night?

At the time, yes. But, fortunately, I have a well-developed sense of humour (I think I have, anyway) which carries me through all manner of gory episodes like washing up and ironing shirts and my daughter’s homework (you need a sense of humour to deal with TS Eliot on a Wednesday).

5.       What are people’s reactions when you tell them what you write about?

I don’t tell them. But I will tell people now that The Beat is being published as an ebook. Send money.

6.       What do you enjoy most about writing true crime?

I think that if you enjoy writing true crime, you’re sailing pretty close to the edge. There’s little attractive about violent crime (and almost all true crime stories contain an element of violence) so, for me, the word ‘enjoy’ is maybe not really appropriate.

 Or am I being … judgemental? A bit retentive? Defensive? Hmmm … I’m not sure I’ve thought deeply enough about this. What I enjoy about writing is writing: if I spend a month away from my Mac I become depressed (in theory – I’ve never been away from my Mac for a month). As I often say, ‘words is what I do’ …

7.       Do you have a favourite true crime author or book? Why is it your favourite?

John Berendt. Especially Midnight In The Graden Of Good And Evil. He can write. Any writing, whether it be crime, true crime, cookery or whatever, has to be good writing (witness JK Rowling, Jamie Oliver). Poor writing shouldn’t be published. A bit harsh? I don’t think so. There’s no excuse for the appalling waste of resources (including eResources) seen in the publication of some books. I mean, we’ve all read some absolute drivel (in terms of stylish, elegant or pertinent writing) … and all it does, apart from line the coffers of shonky publishing houses, is reduce the literary gene pool. Bad for the next generation.

8.       What are you reading now?

Just finished Biskind’s Easy Riders Raging Bulls. About to start something light: Julian Barnes, probably.

9.       What advice would you give anyone wanting to write true crime?

Just do it. Trust your ability to write well. And if you can’t write well, don’t write at all.

 If you have a story (and most of us think we do …) but you recognise that you’re not a good writer – get a ghost writer (I also ghost write).

10.   Are you working on any book projects at the moment?

I most certainly am. I’ve just published a volume of short stories on Amazon (eBook). It’s called The Growing Pains Of Fatboy Brewster and other stories and it’s cheap (the price of a nasty coffee in a dirty cafe). Buy it. And I’ve sent a manuscript of a novel out to prospective agents … Not holding out great hopes as it’s a ‘difficult’ little story that runs to a quarter of a million words, is about destruction (emotional, mental) and involves a rather unpleasant god figure …

 Oh, and I’m 15,000 words into a new novel which deals with death and rebirth and … lots of other things. Including good writing.

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Welcome!

 Welcome to the true crime blog from The Five Mile Press!

 Our biggest news of the moment is the launch of our new ebook true crime titles. We are currently very busy converting all our backlist into ebooks. They are available from about 90 different ebook retailers across the world.

The first four titles launched last week were Paul B. Kidd titles: The Mutilator, Never To Be Released 4 and Shallow Graves along with Richard Hall classic true crime tale Greed: The Mr Asia Connection.

Look out next week for a Q&A from Paul B. Kidd about what it’s like being one ofAustralia’s bestselling true crime authors.

We’ll keep the Q&A’s rolling through from all our authors, along with photos, videos, information about up-coming titles and general gossip from the world of true crime according to Five Mile.

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